Spirits, Books & Learning Magick

Just a bit on how I learned magick & my views on learning it

When I set my heart on learning magick,

I had no idea what I was getting into. I had turned away from a religion that meant the world to me because I was denied something I felt was immeasurably important, that I hadn’t done anything so wrong it should be reasonably withheld.

I was eleven or ten or six or…kneeling at the bedside praying, reading books on dogma I didn’t understand, writing poems convincing myself that lying wasn’t the same as breathing, begging a god who was always looking the other way for calm.


When I began learning magick,

it wasn’t through a lens of “magick,” or even “magic.” It was books that put manipulation at their center. Understanding, or trying to, the principles behind manipulative tactics in interpersonal interactions. I read a bit on hypnosis too, but it never grabbed me. It was learning to control the self, and how that extended to others that most moved me. Related I’m sure, was how deeply I valued being able to convincingly lie for a while.

I wanted to learn astral projection. I wanted to learn how to fly, and how to move energy in intense (fiction-focused) ways. I wanted to be a “witch” more than I wanted to hold onto a religion that had scorned me for existing, that had kept me bound in the throws of fear for so long.

It wasn’t through books or spirits. It was in stillness. It was the quiet between the loudness of breath, speech, and movement. It was counting the heartbeats that sped and slowed in fear and calm. It was the fear of shadows loitering overhead and the plunge into the dark.

The first four years of my practice, because by then I was actively and intentionally practicing magick, were sans spirits and sans occult guidebooks. I read a little on spirituality, and definitely on philosophy, quite a bit on myths as well. But that’s because I was (and am) interested in those things, not because I was seeking a certain path or didn’t know where to go.

Of course, it can’t really be said that I did know where I was going, and I’m not sure I can say for sure now that I know where this path winds through but I wasn’t lost. I was limited in materials then too, trying to make my way through manifesting and energy work, trying to understand what would become, and was even then and even before, the foundations of my craft. Which is not only the foundation of my craft, but also so much of who I am, these things are impossibly intertwined (as they should be).

If at eleven I decided to list my grievances of the bible, at fourteen I wondered about atheism, and at sixteen began reading on spirits. There was overlap, between the demon-summoning and begging, desperate, prayers and worship to the god I had revered for years prior. In this time, most of my focus was on energy work and meditation.

The first magick I actively participated in was important to me, it was empowering and in many ways intense. But it was nothing like calling a spirit into my space, like being a conduit for it, or hearing the energy roar and quiet into a calm overwhelming.

The first spirit I set out to call intentionally and did call into a ritual was Dantalion. And among the careful moments of that ritual I’d planned and cautiously executed, I was thrown into another world. One where spirits exist not in a void or vacuum, but as welcomed through us into our world just as we exist through them as part of theirs.

For years, I relied on Dantalion’s teachings primarily to guide me through this craft and practice. So much at the beginning, as had been the case before reaching out to him, was feeling adrift as though there was so much in the mundane and magic worlds both that I had no answers for. I was forbidden from reading certain (many) texts in these years as well. Something that has gotten mixed results when I’ve told others (mostly, though, disbelief, doubt, and scorn).

But why bother to practice in a way that is not ours, mine? How can someone else’s beliefs or removed judgements on my path be more important to me than mine?

Several years into my practice, then, I began discussing with others on similar walks about their paths, about our shared experiences, the types of magick we enjoyed–or even begrudgingly partook of–that resonated. And not even then did I begin to pick my way though occult books, not long revered authors’ words and not contemporary views or guides.

It has long been, for me, reliance on myself, on spirits I’ve welcomed in, and those people around me who have offered stories passed that has brought my magick to life. It was much more recently that I began to contemplate the works of others who have walked this and similar paths before me.

I believe people should not frequent tables to which they have brought nothing.

For that reason, I believe it is crucial for people to form their own views, opinions, and more often than not collect their own experiences before sitting down to learn of others. I, of course, as someone who loves literature, reading, and understanding others’ perspectives, advocate dearly for consuming knowledge and learning from others. However, how can we ever hope to be in conversation with a text–or its author–if we do not have anything with which to converse?

Blind consumption of others’ stories, and acceptance of them ought be reserved for people we trust blindly.


People like to ask how to get started with magick, which books people have read, which resources they have seen, which rituals are the most powerful, which spirits the quickest, what is “the best”? These questions are entirely contrary to what and how I have learned, which is to learn first through the self.

To understand what compels you in the mundane world, what brings you closer to the magical. These are the things which should be exalted as a path into the magical is lit. Even in teachings that seek to standardize avenues of learning and texts consumed, anyone successful understands that people are not all the same and thus cannot all grow when treated as if the external is the only thing which matters, is a catalyst for growth, or otherwise should inform how learning is conducted.

Understanding of the self, however fleeting it may be, is a greater key to your magick and a likely path, than any number of spirits or books can provide. There are many ways to know yourself, at least to dip your feet into the pool of knowledge (of self and others), my suggestion to anyone who wants to learn magick would always be to start with the self.

What has brought you to this path, and when shed, what remains of yourself to follow deeper into it?

Glasya-Labolas: Dark Huntress

white clouds on blue sky

Glasya Labolas

“Author of Bloodshed and Manslaughter”
Winged beast of night
Worm-addled prey at your claws
Blood dripping down spines
Power simmering consumes
All
Lying on ritual floor
Magician included
Eyes alight with flames
Power rich in your clutches

Mistress of the depths of murder
Sadism, torture fair punishment
Fear a meal for the soul

Glasya Labolas,
You who are blessed
with fire deep and pure
Who turns on magicians in a blink
Loud and coiled
Bringer of pain, electric and dry

Your title earned
Bloodshead and manslaughter
Laid at the feet of my altar
and the home of your prisoners

-Laurel Spider

Please note, I’ll be using feminine pronouns for this post.

Formalities

Glasya-Labolas is known as a President in the Ars Goetia. She is associated frequently with strong cursework and baneful magick. “Author of bloodshed and manslaughter” is a particularly potent form of imagery attached to her name. Glasya-Labolas is truly a dark entity, very much a “demon” in many senses of the word. She reeks of power and confidence.

Glasya-Labolas is commonly associated with the element of fire, the color orange, the planet Mercury, and the South. Her enn is as follows: Elan tepar secore on ca Glasya-Labolas.

Glasya-Labolas & I

My experience with Glasya-Labolas is a bit limited in comparison to my experience with other spirits, it’s really confined to two instances within my practice. In the first case a curse and in the second a wake up call about the occult.

My first ritual with Glasya-Labolas was held late at night, hours past sundown and hours before sunup. I had been considering options for a little while and landed at a curse I believed and hoped would be stronger than many other previous workings I had done then. There were some people who were acting in ways I did not appreciate and I resolved to curse them, this closely follows my Halloween Ritual with Sitri (mentioned here, Sitri: Prince of Lust) where I really became intimately familiar with scary rituals.

So I held the ritual, sitting on the floor of my dorm room and turning out electric tea lights as seconds ticked by and they felt oppressively brighter and brighter despite the darkness of the room in the middle of the night, in a dark sky city, with the shades drawn. Along the way toward darkness and the “calmness” of ritual settling in, icicles cropped up. Running cold drops of water down my arms, pricking at my throat, pushing against me and pressing through my body.

Opening my book now I shiver and feel enchanted anew looking down at these notes from a few years ago. The book’s ribbon at just the right page, so I turn it back to begin at the start of the ritual and read through. In the coming days, out and doing mundane tasks, I felt the prick of an icicle at my back drag down. I noted then that it had begun in earnest. Twice more a similar feeling before the final ritual of the set. Results are never lacking in my experience with Glasya-Labolas, not this time and not the next.

The next time I met Glasya-Labolas was when a very similar feeling of all consuming, lightning quick icicles went through me as I stood in front of cabinet doing entirely mundane tasks. And next, when she interrupted one of my rituals. And next, in the very late hours of the night materializing out of no where and showing a form I didn’t recognize but understood as her. These three moments were all connected and a part of the same thing. They shared suffocating, eerie, chilling feelings. And it was absolutely a turning point in my craft.

To Glasya-Labolas, I thank you for all you have taught me. Respect, uncertainty, the power to change.

Glasya-Labolas’ Appearances & Specialties

Appearance

There are two times I felt I “saw” Glasya-Labolas. The first was a part of my curse and during the first ritual where I called to and met Glasya-Labolas. She knelt before me, as I sat on the floor hunched over notes in the dark and writing with the wrong color pen for candle light (real or feigned). Long, black hair with thick waves. Deep, shining black eyes. Shades, shadows, darkness pulled to a tight cloak. Perhaps a sword.

The second time I saw Glasya-Labolas was at night, a surprise to me, and oppressing in terms of energy. A dog appeared, floppy eared and as if made of incense smoke or clouds. Wings held open to some degree, but neither open, closed, nor moving. Because I hadn’t really done research too thoroughly before this–and even then it had been a substantial amount of time since I’d intentionally met with Glasya-Labolas for the cursework, it took me discussing with another magician and days, if not weeks to make the connection that this appearance is a common enough one.

Even now, having looked a truly limited amount into Glasya-Labolas myself, I typed her name into the search bar to make sure of the imagery commonly associated with her. When I realized after though, I felt no relief at the SPG. Anything I could have felt was overshadowed by the energy in the room those last few meetings.

Energy

Strength and power fill the air where I’ve met with Glasya-Labolas. There is no place for meaningless reassurances–although I was guided throughout the ritual in certain directions–or colorful extra language. When I’ve met Glasya-Labolas, there has been a job and it has been set out to be accomplished, stripped of frills and thinned out to bear the truth of the matter.

Cold. In a much more tense and pressing way than I’ve felt coldness with other spirits. Very finely pointed coldness. A coldness that pierces your soul, feels like it’s clawing into your body and shooting through your organs and bones alike (not always, but it leaves a lasting impression).

It’s a suffocating kind of darkness as it surrounds and swarms. It’s as if all light is too much, like sight can be limited to feeling. Righteous for some reason is another of the feelings I got from Glasya-Labolas when working with her.

Specialties

“Author of Bloodshed and Manslaughter” should really say it all. But further to that, curses, intimidation, divination.

Shadows & Spiders

spider on net under light

always remember, the light cast onto us is neither the beginning nor the end

Tonight, while sitting here working I encountered a spider. It seems thinner than most of the others I’ve found inside. So I offered it water, but the spider continued on its way without drinking.

It was at first the spider’s shadow I saw along the wall. Having turned on a nightlight, the small spider seemed bigger than most spiders of its kind are and I went over to observe it. Finding the spider uninterested in me, and wondering if it was attracted to the light or heat, I left it to be.

A few hours later, still sitting at the computer I caught sight of something dust-like just out of the corner of my right eye. Leaning back, since the particle was not moving or flowing down like they usually do, I caught glimpse of the spider’s body and legs. I moved over several inches and blew before ducking incase I’d blown to hard and the spider was slated to end up on my face next.

After regaining its stability, the spider walked back up its thin thread. Wanting to make sure it got all the way up and wouldn’t soon be in my hair or on my desk in a danger zone of moving objects, I turned on the flashlight from my phone and watched it ascend.

As the spider climbed, I watched as it grew closer and closer to its less and less distorted shadow on the ceiling. As its paws touched down (up?) I noticed it had again become one with its shadow. Moving together seamlessly and constantly in contact. I wondered what lesson this might teach about my own life, my own shadow(s), and the distance created between me and it.

But as I reconsidered this viewpoint, I realized that the spider and its shadow had indeed not merged. They were still separated by some layer. The spider remaining on this side of the world and the shadow forever attached to something beyond, something intangible but nevertheless able to be interfered with. The human, at a whim, can cause the disappearance of the spider’s shadow from being visible, can wave a hand between the spider and light source and obscure it, cover it within a different shadow.

After stepping its way across a small stretch of cieling, which for the spider seems quite a greater distance, again, the spider began its slow and meticulous descent downwards. Twice it paused for some length of time. The first likely halfway down, and the second time just a foot off the ground. Trust. The spider I see now had so much trust in this delicate strand of webbing. And the fear of being swept off it or the web detaching from its anchor point never once stopped it from accomplishing its goal.

Because I am warmer than the walls, the light of screen is attractive, or the desk and my seated body is higher than the floorboards…I do not know why first the spider came down and likely would have landed on my shoulder. I am thankful for its foresight in avoiding my hair though. I doubt it saw a likeness in the blown glass spider of my straw or in the finely painted white spider of my phone case.

Instead, I watched as it crawled along the floor, finally on the ground and off the cieling. And as it crawled back up a foot to tie something (a flurry of dust? a knot?) into its thin strand of safety, and then back down again. It takes spiders quite a bit to make webbing, so I’ve left it hanging down like a firepole from my cieling to the ground in the hopes that the spider will wander back over to it, and that I won’t walk into it opening my window or straightening out the stained glass moon with its pair of spiders next time.

spider on net under light

It is not that we are the shadow, nor that the shadow is us, but that together we are the self and the dark reflection (casting) of that self.

Paraphrased (Dantalion & Sitri)